| SOLO and TWO-PERSON EXHIBITIONS | ||
2006 |
nether land. Widener Gallery, Trinity College, Hartford, Connecticut (brochure) | |
2005 |
Constance Lowe: Graft. cactusbra Space, San Antonio, Texas | |
| Constance Lowe. Thomas Barry Fine Arts, Minneapolis, Minnesota | ||
2004 |
Double Vision: Alicia Beach and Constance Lowe. Phoenix Art Museum, Phoenix, Arizona (catalog) | |
2000 |
NoworNever. The Project Room, San Antonio, Texas | |
1999 |
striking likeness. University of North Texas Art Gallery, Denton, Texas | |
1998 |
striking likeness. “New Works 98.1: Tadashi Kawamata, Glenn Ligon, Constance Lowe,” International Artist in Residency Program, ArtPace, San Antonio, Texas (brochure) | |
| Colony. Thomas Barry Fine Arts, Minneapolis, Minnesota | ||
1996 |
Blankets, Furniture, Painting 1993-96. Forum for Contemporary Art (now Contemporary Art Museum), St. Louis, Missouri (brochure) | |
| Control of Appearances. Galveston Arts Center, Galveston, Texas | ||
| New Material. Milagros Contemporary Art, San Antonio. Texas | ||
| Appetite for System and Recent Drawings. Laredo Community College, Laredo, Texas | ||
1995 |
Appetite for System. I Space Gallery, Chicago, Illinois (brochure) | |
| Selected Works from “Appetite for System”. Thomas Barry Fine Arts, Minneapolis, Minnesota | ||
1994 |
Appetite for System. Rrose Amarillo Exhibition Space, San Antonio, Texas (brochure) | |
1990 |
Constance Lowe and Robert Michael Smith: Recent Work. Anderson and Anderson Gallery, Minneapolis, Minnesota | |
1989 |
Paintings/Objects. ARC Gallery, Chicago, Illinois | |
| Submerged Circuitry: Virginia Bradley and Constance Lowe. Minnesota Artists Exhibition Program, Minneapolis Institute of Art, Minneapolis, Minnesota (brochure) | ||
| SELECTED GROUP EXHIBITIONS | ||
2007 |
All in an Afternoon: Contemporary Drawing Monash University, Caulfield, Australia | |
| Visual Directions: Texas Craighead-Green Gallery, Dallas, Texas | ||
2006 |
Blur. Contemporary Quarterly #3 virtual exhibition at www.contemporaryquarterly.com (printed catalog) | |
2005 |
Nice to Meet You. Mark Moore Gallery, Santa Monica, California | |
| Construct: Disclose. Southern Space Project, San Antonio, Texas | ||
2004 |
The Stray Show, Chicago, Illinois. cactusbra Space, San Antonio | |
| H20: Considering the Hydrosphere. Southwest School of Art and Craft, San Antonio, Texas | ||
2002 |
Drawing in San Antonio. McNay Art Museum, San Antonio, Texas | |
| Easy as 1,2,3. RC Gallery, San Antonio, Texas | ||
2002 |
Blue Star Past and Future. Blue Star Art Space, San Antonio, Texas | |
| Texas Dialogues: Scenic Overlook. Blue Star Art Space, San Antonio, Texas | ||
| Neo Rococo. University of Texas at San Antonio Art Gallery | ||
| Departure/Return. Meadows Museum, Southern Methodist University, Dallas, Texas | ||
| Central Texas Survey. Houston Sculpture 2000 (in conjunction with the International Sculpture Conference) Houston, Texas | ||
1998 |
A Cool Show (abstract paintings). Arlington Museum of Art, Arlington, Texas | |
| Collective Visions. San Antonio Museum of Art, San Antonio, Texas | ||
1998 |
Constance Lowe, Al Souza, and Dan Sutherland. Fostick-Nelson Gallery, New York State College of Ceramics at Alfred University, Alfred, New York and Ithaca College, Ithaca, New York | |
| a posteriori. charlieuniformtango, Dallas, Texas | ||
| Black Eye. Visual Arts and Technology Gallery, San Antonio College, San Antonio, Texas | ||
| Ars Botanica. Austin College, Sherman, Texas | ||
1997 |
Revelation. Dallas Visual Art Center, Dallas, Texas (catalog) | |
| 2nd Texas Annual Exhibition . Contemporary Art Center of Ft. Worth, Texas | ||
| ABC Exhibition (Advisory Board Chooses) .Diverse Works, Houston, Texas | ||
1995 |
Blue Star Ten. Blue Star Art Space, San Antonio, Texas | |
| Made in San Antonio . Dowd Art Gallery, State University of New York College at Cortland | ||
1994 |
Accumulated Evidence: Drawings by Jesse Amado, Meg Langhorne, Constance Lowe and Dan Sutherland . Visual Arts & Technology Gallery, San Antonio College. San Antonio, Texas | |
| Invitational Sculpture Exhibition . Trinity University, San Antonio, Texas | ||
| Putting It On Paper. McNay Art Museum, San Antonio, Texas | ||
1992 |
Blue Star Seven (+7). Blue Star Art Space, San Antonio, Texas | |
| Six Yaddo Artists. Smithtown Township Arts Council, St. James, New York | ||
| Baja Tejas: South Texas Artists - Works on Paper. Peruvian/American Cultural Institute, Lima (Miraflores), Peru | ||
1990 |
Working on Paper: Contemporary American Drawings. High Museum at Georgia-Pacific Center, Atlanta, Georgia (catalog) | |
| GRANTS AND AWARDS | ||
2003 |
ArtPace Travel Grant (for travel in Italy) | |
1998 |
Residency. International Artist in Residence Program, ArtPace | |
1991 |
Resident Fellow at Yaddo, Saratoga Springs, New York | |
1988 |
Arts Midwest/National Endowment for the Arts Artist’s Fellowship for works on paper | |
| CURATORIAL PROJECTS | ||
2000 |
Curator. Edible Material: Paul Kittelson and Robert Ziebell. UTSA Satellite Space, San Antonio, Texas | |
1997 |
Curator. Picture Play: Seven Texas Painters. University Art Gallery, University of Texas at San Antonio, Texas | |
| Curator: Surface Tensions. Blue Star Art Space, San Antonio, Texas (brochure) | ||
1994 |
Organizer: Accumulated Evidence: Drawings by Jesse Amado, Meg Langhorne, Constance Lowe and Dan Sutherland. Visual Arts & Technology Gallery, San Antonio College, San Antonio, Texas | |
| PUBLICATIONS | ||
| “In and Out of Bounds”. ArtLies, October 2003 (feature article and cover illustration) | ||
| Surface Tensions, brochure essay. Blue Star Art Space, San Antonio, Texas 1997 | ||
| BIBLIOGRAPHY | ||
| Selected Exhibition Reviews | ||
| Colpitt, Frances. “Contemporary Art Month, San Antonio, Texas” CIRCA Fall 1995, p.43 (illustration) | ||
| Connors, Thomas. “Chicago (Damien Hirst, Nancy Rubins, Constance Lowe)” Sculpture July/August 1995, p.45 9 (illustration) | ||
| Freeman, David McCall. “Collective Visions: San Antonio Museum of Art”, Artlies, Fall 1998 (illustration) | ||
| Goddard, Dan. “Striking Visions: ‘New Works’ Begins a New Year at ArtPace”, San Antonio Express-News, April 8, 1998 (illustration) | ||
| Keren, Jackie. “Constance Lowe” Nether Land”, Art New England June/July 2006 p. 22 (illustration) | ||
| Kutner, Janet. “Constance Lowe at UNT”, Dallas Morning News, June 18, 1999 (illustration) | ||
| Rushing, W. Jackson. “Permanent Impermanence or The Paradox of Sculpture”, Sculpture October 2000, p. 74 (illustration only) | ||
| Tiredo, Michelle. “Constance Lowe at I Space”New Art Examiner May 1995, p.48 (illustration) | ||
| Features | ||
| Kastner, Jeffrey. Obscure Objects of Desire. Artpaper , No. 4 December 1990, p.16 | ||
| Roth, Nancy. Submerged Circuitry. Arts (Minneapolis Institute of Art) December 1990, p.8 | ||
| Solo Exhibition Brochures and Catalogs | ||
| nether land. “Characteristics of the Fantastic”, essay by Kathleen Whitney, Widener Gallery, Trinity College, Hartford 2006 | ||
| Double Vision, Essay by Frances Colpitt, Phoenix Art Museum 2004 | ||
| striking likeness. Essay by Bill Arning, ArtPace, San Antonio 1998 | ||
| Blankets, Furniture, Painting 1993-96 . Essay by Mel Watkin, Forum for Contemporary Art, St. Louis 1996 | ||
| Appetite for System. “Odd Objects/of Desire”, essay by Buzz Spector, I Space Gallery, Chicago 1995 | ||
| Appetite for System. Essay by Frances Colpitt, Rrose Amarillo Exhibition Space, San Antonio 1994 | ||
| PUBLIC COLLECTIONS | ||
| Matthews and Branscomb, San Antonio, Texas | ||
| San Antonio Museum of Art | ||
| South Texas Blood and Tissue Center, San Antonio, Texas | ||
| First National Bank of South Texas, San Antonio, Texas | ||
| Willmar Community College Willmar, Minnesota (State of Minnesota Percent for Art Purchase) | ||
| North Shore Bank of Commerce Duluth, Minnesota | ||
| Eastern Illinois University, Charleston, Illinois (State of Illinois Percent for Art Purchase) | ||
| EDUCATION | ||
MFA 1979 |
Western Michigan University, Kalamazoo (painting) | |
BFA 1973 |
Southern Methodist University, Dallas, Texas (graphic design/painting) | |
1986-1987 |
University of Minnesota, Minneapolis (studies in culture theory and criticism) | |
| Currently Associate Professor, Department of Art and Art History, University of Texas at San Antonio | ||